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Prefer Disease internet dating can be quite a brutal game

by Kaori Shoji

Real criminal activity cinema is without question a sell that is easy Japan, with a few titles becoming immediate classics. Shohei Imamura’s “Vengeance is Mine” (“Fukushu Suru wa Ware ni Ari,” 1979) is called the pioneer of the genre. Centered on a real-life serial killer situation through the 1960s, it combined fancy murder with explosive sex.

From the time, though, directors have tended to overload aided by the real criminal activity formula — does anybody remember “The Devil’s Path” (“Kyoaku,” 2013)? — and Kota Yoshida’s “Love Disease” (“Ai no Yamai”) is not any exception.